It's always an interesting case study when a giant company spends a year and a half developing a typeface. More details on the undertaking are here but really just watch the great promo video.
This 1984 animated short Jumping is bonkers. Creativity aside - of which there is plenty - the skill and time to illustrate these animations is hard to imagine. Forty years later, this would all be done in a computer with models and shading but in 1984 Osamu Tezuka did not have that option.
Take the 6 and a half minutes to watch the short and then take a spin through the Tezuka Wikipedia - he is considered the godfather of anime and by the time he made this short, he'd been working with manga and animation for nearly forty years. His career started at the age of 17 in 1946. If my napkin math is correct, that means Jumping was created around the time he was in his mid-50s. Sadly, he passed just a few years later. His last words to his nurse were "I'm begging you, let me work!"
I'm a big fan of Zookin general and this latest EP, Cicada Cymphonie, is trippy offering fueled by everyone's favorite bug-eyed buddies. The presence of the Cicada song isn't used in an obvious way but it's definitely in there - manipulated and running through each composition. It's a damn good listen.
A few weeks ago I posted about my continued fascination with Toynbee Tiles, even after thirteen years! The impetus for my latest renewed vigor is that I was asked to be a guest on the Dizzy Spell podcast to talk about the phenomena. Today, the episode is released!
I am very happy with how it turned out and hope that you'll give it a whirl. Despite the tiles being a primarily visual happening, the story behind them plays well in the podcast format.
It's on their website, Spotify, Apple Podcasts, YouTube, Overcast and anywhere else you listen to these sort of things - including the embed above! Smack that play button, enjoy!
If you're a long time reader of the site, you may recall that I built a site in 2009 for an endeavor called "Lake Fever Sessions." Some friends of mine ran a recording studio called "Lake Fever Productions" and some other acquaintances had a video production house called "Tugboat Productions" - together, they captured performances from a number of different bands and I helped get them on a nice looking site under the Lake Fever Sessions name.
While doing promotion for The FeaturesSome Kind of Salvation LP that I reissued, I ended up posting some in-studio performances from their LFS session and realized it might be a fun challenge to revive the site. The recordings were all still on Vimeo, they were just kind of languishing there.
So, I unearthed an old Dropbox folder of PHP files for the site and got to renovating. The database that powered the site is long gone but the internet archive had all the missing pieces I needed. Many of the techniques used for web development in 2009 are unnecessary now (anyone remember sIFR?), so I modernized where I could. The site is responsive now and uses iframes for video, not objects. Other than that, I tried to leave it alone as a testament to what was.
It was a fun exercise but I hope people do take the time to actually watch the sessions. There are loads of local Nashville bands on there that probably have less broad appeal but sessions from St. Vincent, Cursive, Travis, Brendan Benson, Those Darlins, Sondre Lerche and more should appeal to plenty.
posted TWELVE YEARS AGO - a trailer for a Cicada fueled sci-fi series. It looks like a cross between Starship Troopers and backyard fun. Maybe with the return of the creatures they can finish it
Randomly stumbled on this talk about Non-Euclidean Doom or "what happens to a game when pi is not 3.14159"? The basic gist is that programmer John Carmack used the "wrong" value for Pi when creating Doom. That's in quotes because he nailed it up to the tenth digit - not too shabby! Look, I don't know what non-euclidean means in the slightest but the video is quite entertaining as they try different values for pi to see what happens.
Absolutely loving this retro tech supercut. I know next to nothing about anime but it's impossible not to appreciate the style and detail in every single one of these shots.
There is plenty of (justified) hand wringing over AI and how it will shape the future but sometimes you just can't help but be blown away by an implementation of it. The Louisiana Law Enforcement Accountability Database (LLEAD) is a big data dump of law enforcement information from across the state of Louisiana that is being leveraged to extract evidence of wrongful convictions. This Human Rights Data Analysis breakdown discusses how they parse all of the data and use an LLM to work through it (including psuedo code).
The technical breakdown may not be for everyone but it's exciting to see these sorts of problems being worked on. Accountability for law enforcement is a huge problem and if we can use LLMs and data analysis to keep track of their behaviors, that's a win.
An excellent read from Cory Doctorow on AI "art" and uncanniness. The art is in quotes because Doctorow does not believe AI creations qualify as art. I'm disagree with that sentiment but that's not the point of the article! It discusses the misunderstood legalities of training data, the threats to creative workers that AI poses and what protections could be put in place to prevent those threats. This excerpt appears near the summation but it bears repeating:
I think today's AI art is bad, and I think tomorrow's AI art will probably be bad, but even if you disagree (with either proposition), I hope you'll agree that we should be focused on making sure art is legal to make and that artists get paid for it. — Cory Doctorow
It's going to be a slow climb to reaching that goal. In all likelihood it's also going to be very sloppy one too - technology moves a helluva lot faster than changes to law. I'm optimistic we can keep heading in the right direction.
Yorgos Lanthimos poster design. This site is.. unique! Both he and @v_industries have a knack for the extremely simple yet amazingly compelling. Ya love to see it.