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2016 Review: Nightblonde

posted December 21, 2016 #

I'm continuing to fully reviewing the 2016 releases of yk records. If you missed out, now's the time to catch up.

YK-035 is the debut release from Nightblonde, Numbers, a spacey affair that pulls influences from amazingly disparate sources such as Morissey or the idea of retrofuturism. On paper, it sounds like a strange pairing but they pull it off wonderfully. It's easy to draw the comparison to the likes of The Cure, particularly the songs that are heavily bass driven.

They've crammed in a ton of harmonies and layered vocals to the nine-song affair, available on clear vinyl inside of a custom die-cut package. If the world were a fair place, Jill Townsend would get a huge nod for her amazing work on the artwork and sleeve.
The album is streaming everywhere and the band has posted a rad Youtube playlist of custom looping artwork to listen to the album. It's like 1984 but with 80's infused pop music.

2016 Review: Tower Defense

posted December 21, 2016 #

I am reviewing the 2016 releases of yk records, my label. If you missed out, now's the time to catch up.

Following on the heels of POLY, the sophomore release from Tower Defense, a double-bass power trio turned quartet that makes an absolute blast of post-punk rock songs. The EP was released on green vinyl with the A and B sides being the same songs; play whichever side you'd like! It's also streaming everywhere, of course.
If you missed the video for "History", watch it ASAP. It's an excellent tribute to the city of Nashville through a song about fighting for the greatness of your city as it is consumed by new development (seriously).

My only complaint about this release is that it's too damn short. You can listen to the entire thing in just under ten minutes.

2016 Review: POLY

posted December 21, 2016 #

By all accounts, 2016 was a big year for YK Records. I can confidently say I have a "record label" now (as pretentious as that may sound) instead of saying I have a "side hobby." I put out ten (!) records from some absolutely wonderful artists spanning a wide gamut of genres. Let's take a moment to review.

First up was POLY's full-length album Let's Have An Adventure. Released on confetti explosion vinyl and streaming everywhere, it's a wonderfully innocent, borderline twee, pop record.
Every time I listen to it I am consistently impressed that the band set restrictions for themselves - no guitars, no electronics - and actually accomplished it. It's an amazing variety of instrumentation and adorable storytelling.

posted December 20, 2016 #

I made a non-scientific chart on design feedback: https://t.co/qhyJaXH0P1

posted December 20, 2016 #

the wonderful wobbulator machine for young and old alike https://t.co/gg6ffFbnto

posted December 19, 2016 #

How music videos should be. https://t.co/ysqToXUDIz /cc @yewknee

MAVS AMA

posted December 19, 2016 #

Makeup and Vanity Set recently did an AMA on /outrun and answered a ton of questions about how he makes music, what inspires his dark soundscapes and drops a few tidbits about new projects to expect in the relatively near future (spoiler alert, Jasmin Kaset will be involved).

It's a great read and also acts as a bit of promotion for this MAVS Bundle that he's currently offering via Groupees. For just $5 you can get nine of his albums and three unreleased collections and the money goes towards the Trevor project. Win Win Win.

Big Active

posted December 19, 2016 #

Been having a wonderfully deep dive into the massive body of work from Big Active, the British creative consultancy responsible for a slew of memorable albums too lengthy to mention (for starters, Beck, Michael Jackson and Giorgio Moroder - just to pique your interest). They are also have a large offering of motion work that includes The Parachute Ending, the Birdy Nam Nam video that brought me to them in the first place.

Highly recommend taking a good chunk of time today to investigate.

posted December 16, 2016 #

On point https://t.co/2JXeObJ5F6

Friday Videos - Dec 16th, 2016

posted December 16, 2016 #

Christmas is right around the bend. It's that time when everyone's office is a little bit emptier, people move a little bit slower and we all spend a great deal of time reflecting on the year. I'll do plenty of that in the coming weeks but, for now, let us enjoy a mindless dump of entertaining videos.

NOTE: I've rewritten how Friday Videos are played back. It might be a little more sluggish but it will actually work in Safari now. Let me know if you're experiencing issues (even after a cache refresh) and I'll work on it.

Release the Chariots of Fire

posted December 16, 2016 #

Today's the official release day for Chariots of Fire, the ten-year anniversary re-issue from Apollo Up! and my own yk records. I mentioned it previously but I really do think this album was released before it's time. The visibility into Nashville's rock music scene has never been more acute than it is right now thanks to the likes of Third Man Records, all things Jack White, The Black Keys, Infinity Cat Records and tons more. But Apollo Up! (and Theory 8 Records) never received the benefit of that visibility, despite the record being every bit as good as what's coming out of the city now.

If you're not familiar with the album, dive right in. It's streaming everywhere and sounds absolutely wonderful thanks to the remastering job from John Baldwin. If you like what you hear, consider picking up the gold vinyl, it's a real beauty.

posted December 15, 2016 #

the wifi password here is buyadrink.

Destroyer - Marcuervo

posted December 15, 2016 #

There are plenty of great art installation pieces and photography collections from fine artist Mar Cuervo but I'm enamored with the Destroyer set of images. There's something oddly pleasing about seeing these squishy objects perfectly mangled.

via David.

Islands: Non-Places

posted December 15, 2016 #

I really can't describe the allure of Islands, a new "game" in which you quietly explore foggy spaces and unlock transitions into the next realms. It looks wonderful, it sounds great and the interaction is captivating but no one piece of it would be enough to draw you in. It's the perfect storm of quiet immersion.

via Warp Door.
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