Happy 73rd Birthday to Tim Curry. Apologies if you've seen this already, but I feel it's important to share this video of him performing in 1979 to a TV audience of disinterested Germans. He is unalarmed, if not bemused by their indifference. He is Tim Curry. Thank you. https://t.co/AOnS0jeUaB
@yewknee @arrivalshort @MTAC @UncleSkelly @UprightTRex Wow. Flashback to the one of the first @mtac's with my 14 year old friends at the Nashville airport Days Inn. There was a beer can tree outside the conference room and my friend Sunny bought an Akira shirt right off a dude's back. https://t.co/3RX0baHF45
I'm fairly confident I've used this GIF before on Easter weekend but it's just so damn appropriate, why not do it again?
I'll be totally real, I don't have a ton this week in terms of distractions. I need a few myself so lemme see what I can rummage up...
Her Smell trailer - Elisabeth Moss is a phenomenal actress but I'm stunned to see her playing a Courtney Love-esque character. Very intrigued here.
Beyonce - Homecoming trailer - did you see this Coachella performance when it was online for about 12 hours after it happened before being completely ganked offline? It's phenomenal. Even if you have zero interest in the career of Beyonce, this is well worth a watch.
Meatwad Grows Up - I have never cared much about Aqua Teen Hunger Force but this little revival was a treat.
I'm going to be screening Arrival - the short film by Alex Myung - at the Middle Tennessee Anime Convention. Yes, Middle Tennessee has an anime convention and it's been going for 20 years; believe it or not. If you can't make it, take a few minutes to watch it online.
There will also be copies of the Upright T-Rex soundtrack, on vinyl, for giveaway throughout the weekend.
The film and the music are gorgeous. So, if you can swing by and see it in person - great! If not, enjoy it online. Win win all around.
useless information i just found out that i don't know what else to do with: the same guy wrote re-animator and honey i shrunk the kids, 4 years apart. https://t.co/iOcTf7yxPm
I watched the Joaquin Phoenix / Gus Van Sant movie Don't Worry, He Won't Get Far On Foot recently and was really impressed. The cast was stellar and the storytelling style was unique but not so unique it was offputting. The movie tells the story of cartoonist John Callahan; a man who ended up paralyzed in a wheelchair after a drunken car wreck at 21 and struggled with alcoholism his whole life thereafter. The movie is about that struggle but not entirely about the descent into despair (there's some of that) but the entire journey - down into the crevasse and back out.
I recommend watching the movie but I also recommend diving into some of Calhoun's actual work. This short animation is basically a synopsis of the movie, providing a quick overview of his journey and his style.
When I saw the announcement for Helvetica Now, my interest was piqued. A digital renovation of the world's most famous (And most popular) typeface that attempts to bring it into the digital age is certainly something worth finding out more about.
I read through the slick promo site and watched the promo video but came away feeling a little empty. What exactly did they do? They mention improving the kerning, improving the shapes and creating versions better suited for screens vs print but where's my exhaustive, completely self-indulgent process walkthrough? There's eight designers listed on this project, surely there's a 3,000 word document on everything they did? Tell me more about the new sizes - Micro vs Text vs Display? Are they variable fonts?
I'm not flat out complaining. I'm intrigued by the big announcement and curious to give it a whirl but mostly shocked there's not more to it.
Really loving the illustration style of Amber Vittoria; great color palette, great handdrawn vibe and fascinating application of the pieces as patterns. Something about it reminds me of a somewhat grotesque (in a good way) version of Pieter Parra.