posted April 5, 2018 #
I said I’m sorry I’m just not comfortable posing doing air guitar. Or standing in front of a phone booth. And certainly I’m not jumping in the air. 20 minutes later: https://t.co/Tahl7mUmAE
You know, I find that argument, that if you're not paying that somehow we can't care about you, to be extremely glib and not at all aligned with the truth. The reality here is that if you want to build a service that helps connect everyone in the world, then there are a lot of people who can't afford to pay. And therefore, as with a lot of media, having an advertising-supported model is the only rational model that can support building this service to reach people.As for the take on advertising, great, fine, whatever. I'm impartial. However, the core goal of Facebook is "to build a service that helps connect everyone in the world" and I can't help but wonder, Why? #1, we already have the Internet. We're all already potentially connected. #2, having run a small social network, I can promise you do not want to connect everyone in the world.
What's perhaps most interesting is seeing how these designs influenced more than just how the films looked. In one especially illustrative example, when Mead looked at the script for 2003 disaster thriller The Core, he realized that the drilling machine that was central to the movie's premise had an engineering flaw, and wouldn't actually work in the real world. After heeding Mead's advice, then-director Peter Hyams ultimately changed the script to incorporate these new ideas.Maybe that's marginalizing his work because The Core is a questionable piece of work at best but it is a nice testament to how Design is more than just a surface level appearance.
Made this thing last night that uses the hue of your webcam to change the chord of an arpeggiator.Go enjoy it.