For reasons I can not explain, I find the concept behind Bumpers oddly engaging. It is, at its core, a free-for-all podcast network where anyone can post audio of any length or any production value. They pose questions, like What fictional universe would you choose to live in?, and the community responds with their audio snippets. Or someone spouts off on 200 VC Pitches in 200 Seconds. Like I said, it's a bit of a free-for-all but there's something there that I can't shake the appeal of.
Beistle is "the oldest and largest manufacturer of decorations and party goods in the United States." You may know them from such classics as Plastic Shackles or 3-D Zombie Wall Decoration. Mostly it's ridiculous crap that you'd buy for your home to display for no more than 6 weeks.
I finally got around to watching My Life in Monsters, a great feature piece from VICE focused on the long line of work from animator Phil Tippett. His work permeates throughout Star Wars, Empire, Robocop, Jurassic Park and many more. I've mentioned his solo undertakings MAD GOD and Dinosaur! before but I hadn't heard his whole story , told from his own mouth.
Love this Red Axes video for "Sun My Sweet Sun" showcasing our forthcoming world of VR experiences. Thanks to Vive, Oculus and Google Cardboard this isn't a foreshadowing of what's coming, this is what you can experience right now, today. It really goes off the rails about 3 minutes in but that's when you really want to stick with it.
AV Club has a great long read on the Jim Henson Hour flop; a series of misfires from the Henson Studio crew that I have zero memory of. Looking at the 10-minute test pilot for Inner Tube I can certainly understand why it didn't stick with audiences as it is set in a dystopian future where media and TV rule (not unlike Max Headroom). However, there's plenty of other strange experiments and undertakings cited in the article. Henson was always trying something new, even when it wasn't a sure shot that it would click with the public. I'm sure it was unnerving to have flops when you're the man responsible for The Muppets and Sesame Street but they never seemed to slow him down. His creativity and willingness to try new things, even if they didn't stick, is impressive to say the least.
If you watched Boardwalk Empire, you are likely familiar with Jack Huston's character, Richard Harrow and his mask to cover his face. I always assumed that was an actual real thing that happened but I'd never read much about it. This piece on The Sculptor Who Made Masks for Soldiers in WW1 examines the work of Anna Coleman Ladd, the artist largely responsible for these creations. There's even a silent film showing them in action.
This is likely old news for anyone that did any research into the show while Boardwalk was airing but I never took the deep dive and it's fascinating to see in reality.